Harleen or Harleen_Bloom on Twitter, is the community manager of AntiStigmaNFT and is a member of Titik Poetry. Besides that he’s also the community ambassador of Ownly.
💼 What were you doing before Web3?
I am into performing arts. Spoken Word, Dance, and Music. Before Web3 I am with my dance community building and pushing the movement forward.
🤔 How did you get into Web3?
My friend in the dance community asked me to be a Community Manager since I’ve been spearheading communities in IRL. So I became part of Anti-Stigma Society.
🚀 What was your first crypto or NFT project?
Since I am into writing poems, my first art minted on the blockchain is a spoken word performance.
🧠 How would you explain what you do to someone outside of Web3?
Hmm, siguro, “Now I have the platform to do the things I love with a chance to earn from it.”
💡 Which creator or thought leader do you enjoy learning from?
I never believe on having a Thought Leader sorry, but, my greatest educators are the people around me. My community, why?, coz they are the ones who are watching me work, observing my growth, and criticizes me when I did something wrong.
🥳 What is the biggest highlight of your career so far?
Being able to Curate the first SPOKEN WORD EXHIBIT IN A TRADITIONAL GALLERY SET UP! With my Titik Poetry and Crypto Art PH family at Meatspace Web3 Art Gallery.
📈 What tech or crypto trend are you watching this year?
No bias, but I love how we innovate things Ownly. We just did an NFT integrated mural of 75ft x 40ft. Alongside Lei Melendres as the lead artist.
🤝 What advice would you give someone starting out in Web3?
Experience it first, coz you will always fear what you don’t understand.
🎤 If you could do a TEDtalk on any topic, what would it be?
Appreciating all forms of art and how to integrate tech into our artworks.
🚨 What is the one thing you would bring if you were stuck on a deserted Island?
Swiss knife
POW stands for “Proof of Work.” It is a new feature article series in The Mega Maxi to highlight the savviest builders in the Web3 space.
